the factory behind the image

 

ImageFactory, creative opportunities

 

 

cinematic footage is not altered, it just is ... with the BlackMagic Pyxis 6K moments turn into cinematic memories that won't be forgotten.


RAW footage that give movie like results any moment of the day, this professional film camera gives me the flexibility to create in a view like seen thru the eye.


rigged out with external monitor, stabilisation, handles and microphones,

the highest standard in the industry in a compact body.

 

cinematography

blackmagic pyxis 6K full frame for cinematic results

 

cameras that capture depth and colour as they are, thru LUMIX is the way to capture life as it truly is, without altering the image in a unnatural way.


I have bin relying on LUMIX cameras for years and would not change them out for any other, together with a variety of lenses I can create the desired look in any situation.


rain or sun shine, light or night, stationary or running around, I can rely on these cameras in most situations.

a set of cameras that produce consistency and perform in the harshest conditions.

 

photography

Lumix S1 and S9 full frame for realistic captures

 

drones can capture any situation but not at any location, the DJI mini gives me the flexibility to fly in restricted areas while still producing 4K quality.


the new mavic 4 pro is the highest standard flying around, this drone makes the best cinematic footage in the sky thru three different type of lenses, a quality that can not be matched.


avata FPV drones give the freedom to capture indoor and give a immersive experience for architecture, events and landscapes with elevation, diving into the setting.

 

aerial footage

DJI mavic 4 pro / DJI mini 4 pro / DJI avata 2 FPV drone

 

thru 20 and 40 mm autofocus anamorphic cine lenses I can capture a scene wider then usual, giving thru cinematic feeling with character and bokeh a warm image is created with a timeless look.


prime lenses give the perfect result for portraits and sharp images in a controlled situation, where light and distances are set I work with the newest Sirui 35 and 85 mm lenses that give the look you desire.


telephoto lenses bring me closer to the action for sports and uncontrolled situations, for high demanding quality footage and producing a constant output thru Sigma 20-200 and 150-600 lenses.

 

seen thru these lenses

anamorphic cinematic, primes and telephoto lenses

ImageFactory

cinematography & photography